Previously on Femslash Friday: Mean Girls’ Lesbian Layers.
A League Of Their Own is part of a cadre of movies that made up the definitely-feminist, almost-lesbian boom of the early ’90s, alongside Thelma & Louise, Tank Girl, and Fried Green Tomatoes. A League Of Their Own is to a particular type of women what The Shawshank Redemption is to a particular type of man — if it’s on TV, we’re going to drop whatever in order to watch it to the end, and it’s almost always on TV.
Rather like Thelma & Louise, Tank Girl, and Fried Green Tomatoes, A League Of Their Own looks like a movie that was filmed in a separatist lesbian paradise, then four days before wide release, someone told the producers to try to make every female character plausibly straight. The compulsory heterosexuality is a sloppy afterthought — Rosie O’Donnell gets a boyfriend back home, Geena Davis pines after a distant husband, Madonna gets to dance with a few drunk soldiers, and everyone prayed that would be enough. No one bothered to do anything about Lori Petty’s character; it was too late to try.
There are certain phrases — “confirmed bachelor,” “keeps to herself,” “career woman,” “eccentric gentleman,” “as single as they come” — that connote queer plausible deniability; to a straight person they might just refer to someone a bit odd, but to the right listener it’s the same as screaming “GAY GAY GAY.”
Lori Petty’s Kit is all ears and elbows and mud-streaked determination and she’s GAY GAY GAY, and that’s marvelous. Remember how she gets announced on the field?
“Then there’s pretty Dottie Henson, who plays like Gehrig, and looks like Garbo. Uh-uh, fellas, keep your mitts to yourself; she’s married. And there’s her kid sister Kit, who’s as single as they come.”
...Read More