Sulagna’s previous work for The Toast can be found here.
2030, the Year of Winter Songs
The wind whistles outside all day long, and every day we go outside and listen to it. It’s a long ritual, putting on our layers and our specialized snowsuits, but it’s worth it to have the sun hit our eyes and to hear the songs of the season. And it’s our news for the day: our weather report, yes, but also our politics roundup, our scary studies and awkward, shameless cable show. Our national conversation is the chilling tones of winter. And after our time outside – usually an hour maximum, as recommended by the Science Corps – we go back in to the glow of our communication devices. Did you hear that tone change? That dropped beat? Was that a background ocean breeze? People send recordings, remixes, and analyses to each other. The Science Corps sometimes sends out a newsletter, but they tell us over and over again: this is as good as it’ll get.
2081, the Year of Cooking
There are three kinds of country. First, there’s Boil country, where the air is like the inside of your mouth, a hot gasp. Boiled people are always glistening, and it’s said their minds cook in their heads and dribble out of their ears. It never rains, the water hanging around in the air like a promise that can’t be kept. It’s bad country, salacious and greedy. That’s nothing compared to Toast country. Hot as anger, the air feels like a myth. People have faith in it, but it never moves, never budges when they cry to it, gasping for relief against the heat. People don’t look at each other in the eye – it’s no use with our heavy-duty lenses. The worst, though – the worst is Fry country. Above the large cities hang huge swaths of gas, so everyone has to wear gas masks at all times. They say it’s always night in Fry country because you never see the sun.
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