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The Meaning of Literary Pilgrimages

The Toast’s literary pilgrimages archive can be found here.

When you live across the ocean from where your favourite stories are set, Europe can seem nearly as imaginary as Middle Earth. London and Paris are real, but in my mind they exist as an amalgam of stories. Pure text doesn’t provide the sensory cues of visual media, so it demands that readers participate in creating the world of the story. It’s an intimate act of collaboration, a subjective and often meaningful experience, reading a book and imagining its setting.

For bookworms, the only way to bring our experiences with a text into the real world is through a literary pilgrimage. The actual location may never replace the image in a reader’s mind, but the experience in a real space can lend concreteness to the text. After we mentally inhabit a story, does visiting a tangible space feel more real than the story, the inner lives of the characters? Can seeing a writer’s desk give us as much insight into their mind as the words they wrote, even if they haven’t sat at that desk in a hundred years or more? If not — if the places we imagine will always be more vivid than the ones we see and later remember — why are literary pilgrimages so alluring?

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How to Deal with Your Car on Long and Semi-Disastrous Road Trips

I’ve spent a lot of the last year driving back and forth across and up and down the United States in that awkward quarter-life crisis period toeing the, uh, thin line between “work” and “pleasure” in a precarious economy. You’d think that by the time I moved from rural California to Iowa by myself (with my bike strapped to the top of my car, in the span of three days), I would have figured out what to do in the case of car trouble — but I was too preoccupied with surviving lightning storms (I’m Californian; I don’t even know if you can take a shower during an electrical storm) and an accidental high from gasoline that spilled on the ground and into my wooden clogs when an Exxon pump failed to shut off automatically in Arizona (I should have known better than to patronize Exxon) to prepare for potential mechanical disasters. On my last road trip, however — this time with two female friends and a kid — en route to the woods outside of Seattle, my car began eating transmission fluid, and I began to suspect that my biannual oil change alone was maybe less than adequate preparation given how often I travel by car.

It’s kind of weird that car maintenance is still so heavily gendered — and let’s face it, relying on strange men for help with one’s car is annoying at best and downright terrifying at worst — so I consulted both my car’s manual and the internet to figure out not only how to deal with my transmission, but also what else I should watch out for while driving.

Bad Transmission

If your transmission eats shit, I come to understand, you’re kind of fucked. My car had already eaten the full quart of transmission fluid added during my oil change the weekend prior, and the mechanic had warned me that one of the bolts on my transmission pan was missing (no big). I felt by the shuddering of the Subaru changing gears on the 101 North, and when I arrived in Santa Cruz to pick up my friends, I popped the hood and commenced full freakout while they loaded up the car with a week’s worth of snacks, books, tents, sleeping gear, clothes, cooking ware, etc. for our communist-utopia camping experiment on a river in the woods outside of Seattle.

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Notes from Edinburgh

Previously by Evan Fleischer: This Is and Isn’t About the DC Punk Archive

“Edinburgh is a mad god’s dream,” Hugh MacDiarmid’s eponymous poem states (MacDiarmid himself described by Burns Singer as having hair that “curled up … like the grey-brown smoke of a volcano”), a poem amongst many carved into the gray granite of Scotland’s parliament, the entrance to the building that has as its immediate backdrop Arthur’s Seat shooting up green and tall behind it, an unnecessarily giant period stamped at the end of a cobblestone cowpath of a sentence, as if the world’s last medieval monk had wanted to emphasize how thoroughly done he was with writing and illustrating manuscripts after churning out The Book Of Deer, The Book Of Durrow, The Aberdeen Bestiary, and rendering Limmy’s bus capable of flight.

I went to Edinburgh to work on a sketch comedy show with Frances Bell for The Edinburgh Fringe Festival. Frances said hello and Edinburgh said hello with ocean shore glass train station roofs lapping beneath North Bridge, and the laughter of Edinburgh said hello, too, with a back-and-forth set of slowly accelerating ideas pinging back and forth between the two of us — like, What about a sheepdog herding sheep who’re frozen head to hoof in giant blocks of ice? What about a sketch where Bob Dylan’s band is actually infinitely smarter than Dylan? By miles and miles.

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Party Bus

We live in the future, so I’m on a bus in Los Angeles and log onto Twitter to write a note to the author of a book I’m reading: “Loving yr novel. Managing to focus on its pages during a manic bus ride to Venice Beach, during which a drunk guy fell on me”

“Thank you so much,” writes the author, Rabih Alamaddine. “Haven’t had a drunk guy fall on me in ages!”

This is a story about a bus ride on a Saturday night just before sundown. Things get intense. The bus to Venice Beach is no joke. Neither is life, writing, or a good book.

***

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How to Survive the Night Bus

After college, my friends and I might as well have crawled into a cannon that shot us out at varied trajectories and scattered us across the country from Minnesota all the way to east Michigan. Admittedly, many of us didn’t make it out of the Midwest, but it isn’t called flyover country for nothing – the Midwest is a formidable stretch of countryside to traverse, especially if you don’t have a reliable car. Like many people in my age bracket, I’m broke, I place almost no value on my time and health, and I miss my friends, so the allure of the long-distance overnight coach bus as an alternative to air travel is strong. I’ve traveled the inverted parabola from Minneapolis to Madison to Chicago to Ann Arbor (and all permutations therein) on the night bus so many times that I’ve become something of an expert.

The night bus can be a beautiful thing. I’ve cried, been reborn, eaten things no one would believe, and seen things I can’t explain while trundling down I-94 at three in the morning. I’ve listened to the soundtrack to Annie Get Your Gun while watching the sun rise over the Hormel Chili silo in Beloit, a coalescence of experiences that brings about something akin to ego death. My best friend received a marriage proposal from her seatmate early one morning in Chicagoland, which may seem like an odd move on his part, but is really more or less de rigueur for the particular brand of delirium everyone sinks into over the course of the journey. That’s just the way of the night bus – bizarre experiences are birthed and nurtured under the unearthly green light of discount travel, and then, like a tropical houseplant suddenly exposed to a Midwestern winter, these experiences wither away and fade to wisps as daylight arrives.

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Paris in Paintings

Susan Harlan’s previous work for The Toast can be found here.

When I was in Paris recently, I wondered what would happen if I just never went home. Most people wonder this in Paris. It is not novel.

When I graduated from college, I was all set to move there and start an internship at The International Herald Tribune. I can’t remember how I managed to get this internship. It seems that it should have been more difficult. But I have the sense that most things I accomplished when I was younger, including getting into college, have become much more difficult since then.

I didn’t really know much about journalism. I had been an English major, and I wanted to be a professor, but before that, I wanted to live in Paris. More specifically, I wanted to live in Jean-Luc Godard’s Breathless.

I had spent a semester of my junior year abroad, living in an apartment near the Parc Monceau, right around the corner from my best childhood friend Anne, who was also studying abroad through her university and staying with a French family. I spent a lot of time in this family’s apartment, which looked exactly like what I thought a Parisian apartment should look like. Everything beautiful, but comfortable and lived-in. Rugs strewn about. Cornices.

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Hot New Travel Apps

EmpathyAbroad

Are you a tourist with a heart of gold? Do you long to see a new country while simultaneously saving a handful of its local residents on your week long vacation? Then this Sean Penn-endorsed app is for you, you business-class hero.

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The Men You Meet On A Cross-Country Road Trip

An elderly gentleman who remarks on your license plate, one rarely seen in his rural Northeastern neighborhood. You happen to grab a coffee at the same cafe. He perseveres through your extended effort to ignore his hovering, thrusting the local paper at you, suggesting several regional events that will surely enliven your visit.

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