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Questions For Baggage Claim

Baggage Claim, why weren’t you amazing? You had Jill Scott in a little pink neckerchief. You should have been amazing. Baggage Claim, why won’t you let me love you?

When Paula Patton first sees Langdon (Taye Diggs) on a flight, he’s seated one row in front of another one of her exes (Curtis, I think?) and the two of them start talking, and she makes a comically worried face that seems designed to make the audience worry that the two men will compare stories about her. Yet after Langdon exits the plane, Curtis (??) is never seen again. Why?

An aside: easily the best part of Baggage Claim was the four-minute trailer for The Best Man Holiday. Do you already have your tickets? It premieres November 15th. Do you want to come see it with me? Can you believe it’s been fourteen years since The Best Man came out? How good does Sanaa Lathan look in the trailer? So good, right?

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The Other Nashville is Coming to the Criterion Collection

Meaning, of course, Robert Altman’s glorious 1975 film (not the one with Julianne Moore naked, that’s Short Cuts, not the one with war, that’s M*A*S*H, not the one which is just Downton Abbey, that’s Gosford Park.) Look for the shiny new edition in early December.

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Where Are All The Monster Girls?

I think I was somewhere in the third (the third!) Iron Man movie when I finally wondered “Why am I here?”

If you asked me who my favorite Avenger was, I’d say “Tony Stark”. But I was completely unable to articulate why I liked him. When all was said and done, there wasn’t much about him to like– canonically, he’s an alcoholic playboy, and even the more cleaned-up version Robert Downey, Jr. plays dresses like he has a copy of The Game on his bookshelf.

And yet I had figurines. I had the Essential Iron Man. I even had (when no one was looking) tried on an adult-sized Iron Man mask in a Target toy aisle.

But why do all that, if the character is such an asshole?

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Airplane! and The Unrepentant Sissy

Airplane! is one of my favorite movies. I am not an unreconstructed ZAZ fan; I think The Naked Gun is overrated and there are parts of Police Squad! that could have been improved upon, but Airplane! remains in my mind one of the most consistently funny movies of the last thirty years. You know how one of the reasons everyone loved 30 Rock so much was the astonishing rate of jokes per minute? That’s Airplane!, but with the added benefit of Robert Stack. It’s one of the first in a rash of zany, anarchic free-for-all comedies that cropped up in the late 1970s and early ’80s, and it’s one of the best. Chances are that you’ve seen it (here I will succumb to gender essentialism and wager that you have seen it at least once with your father) and can recite what the white zone is for without prompting.

One of the best–and coincidentally, most radical–aspects in the movie is Johnny the air traffic controller, played by the brilliant Stephen Stucker. Johnny is part of that time-honored band, the movie sissy, and he’s the most magnificently unrepentant faggots to ever grace the screen in the entire 1980s. Here’s a few of his best moments:

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Best Line Readings From When Harry Met Sally

Carrie Fisher: “I want you to know…I will never want that wagon wheel coffee table.” It’s an okay table, too. I would totally own that table.

Bruno Kirby: “[disgusted laugh] NO” immediately at the end of Billy Crystal’s “Ted Kennedy was shot?” line.

Carrie Fisher: “You’re right, you’re right, I know you’re right,” every fucking time.

That redheaded friend of Sally and Marie’s: “At least you could say you were married,” during the riverside lunch scene.

When Billy Crystal is trying to initiate his flirtation with Meg Ryan on the first meeting, and they’re talking about Casablanca, and he says “than stay with the man you’ve had the greatest SEX of your life with…” in a way you would never emphasize that word unless you wanted to be the first person to mention sex in the conversation.

Meg Ryan, still on their ill-fated first drive, after Billy Crystal says they can never be friends: “It’s too bad. (beat) You were the only person I knew in New York.” And she’s so wistful and mildly regretful, but also stonily resigned.

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Drumline vs. Everything Else: Ranking Unrelated, Long-Since Released Movies For Absolutely No Reason

The greatest movie of the last twenty years is the movie Drumline. The movie Drumline is about a group of young whimsical drummists at a fictional university in Georgia. Nick Cannon is a special drummist, and he turns the drumline upside down with his newfangled ways, which are tremendous. There’s a scene where a very attractively butch young woman does a set of one-armed pushups, and this is a scene that is very dear to my heart. In a particularly excellent scene, Nick Cannon must have his head shaved because he did not read the entirety of the drumline’s rulebook (the final rule of the rulebook is that if you cannot recite the final rule, your head must be shaved, which is as true now as it was then).

DRUMLINE1

This scene is very droll, and also delivers on everything it promises. Nick Cannon’s head is shaved; Nick Cannon’s pride is brought low. He will have to rise from the ashes of his dead self and ascend stepping-stones to better things. Nick Cannon! You are a delight to my heart. Nick Cannon! How often I pretend you are not anti-abortion. Nick Cannon, it brings me joy to hear your name spoken aloud.

It is a good movie, possibly a great movie; perhaps the greatest movie. Nick Cannon gets in a lot of philosophical arguments with Orlando Jones. The older brother from Smart Guy is in it, and if I recall correctly, has a lot of trouble keeping up with the rest of the team, drum-wise. Zoë Saldana is in it as well, but does comparatively few push-ups. I do not hold it against her, but it must be said. There is a drum-off. There is a duel for mastery that prominently features drumsticks.

DRUMLINE2Did you enjoy the campy absurdity of movies like Step Up or Center Stage, and do you also like enormous fucking drums? Then you will like Drumline. It is a movie that has everything in it, particularly lots and lots of drums. Swirling drums and giant drums and medium-sized drums and droves moving in unison and sideways drums and upside drums and just when you think there aren’t more drums, there come the drums. It is better than most other movies that exist. Most other movies have an appalling lack of giant fucking drums getting just whaled on by Nick Cannon making the most serious face he can muster. Let us look at the evidence.

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Days of Future Past: The Esoterrorism of Wild Palms

I’m trying to remember how and from where I procured a boxset of Wild Palms, but can only recall the words of a screenwriter friend who implored me with some urgency, “If you ever see it somewhere, buy it,” and that when I saw it someplace or other, I did.

The tragedy of Wild Palms is that it is only just over five hours long.

The tragedy of Wild Palms is that it was too beautiful for this world.

The tragedy of Wild Palms is that is does not, by even the most generous reading, make any sense whatsoever in any way at all.

Wild Palms came somehow into the world in the post-Twin Peaks days of 1993. It was based on a cyberpunk comic strip serial by Bruce Wagner previously published in Details magazine. It told of a dystopic near-future in Los Angeles where corporate interests have seized power in America and threaten to further control the population via the medium of living hologram, able to invade people’s homes through their televisions. There are guerrillas opposing the Government (the Friends vs the Fathers), an influential television series of dubious repute (‘Church Windows’), a murder, a child star, substances with made-up names, a very transparent stab at Scientology in the ‘Church of Synthiotics’, a terrorist plot and a great deal of recurring dream imagery featuring a pool, a rhino and a woman covered in tattoos of palm trees.

Obviously, this will all be great.

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A Conversation About The Wolverine

After a surprisingly not-awesome time at The Wolverine, the latest in Hugh Jackman’s series of inspirational workout videos, we got in touch with our friend Phoenix Tso, who recently wrote about fightin’ with strangers. And who is more strange than a mutant from the Marvel universe?

Nicole – So, essentially, I love comic book movies, and they never bother me, because things are always shiny and silly and over-the-top. And so I got a babysitter so my husband and I could go this movie on a Saturday morning at 9:30am, because OLD PEOPLE. And the first twenty minutes were okay. And then it went to shit. And I almost left, because it was incredibly offensive, and that almost never happens to me with movies. Not that there’s anything wrong with being offended by movies, I’m just pretty lalala about them. And I wanted to write about it, but what do I know, so I begged you to see it and talk to me about it. And here you are! Please tell our readers your thoughts.

Phoenix – Okay, I had the same thought as you. Like the first half hour, I thought this movie could be fun. And when the first Japanese character appeared, i thought she was a bit manic pixie dream girl-ish (to overuse that phrase) but at least seemed capable. But then, I don’t know, the rest of the movie was just offensive on so many levels.

Nicole – Yeah, I said to myself: “I see those stockings. I get where you’re headed, but okay.”

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